Evenings and Weekends
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'I COULDN'T PUT IT DOWN' SHON FAYE
'A MASTERPIECE. THIS SEARING TALE OF LOVE, SEX AND CLASS WILL RESONATE FOR GENERATIONS TO COME' OWEN JONES
'I WAS DEEPLY MOVED BY ITS BEAUTY AND HUMANITY' COCO MELLORS
'Electric and intimate' Guardian
'Impossibly, ineffably beautiful’ Russell T Davies
'Intoxicating' Irish Times
London, June 2019. Maggie is 30, pregnant and broke. Faced with moving back to the home town she fought to escape, she’s wondering if having a baby with boyfriend Ed will be the last spontaneous act of her life. Ed, meanwhile, is harbouring secret dreams of his own.
Phil hates his office job and is living for the weekend, while falling for his housemate, Keith. But there’s a problem: Keith already has a boyfriend. Then there’s Rosaleen, Phil’s mother, who’s tired of feeling like a side character in her own life. She’s just been diagnosed with cancer and is travelling to London to tell Phil, if she can ever get hold of him.
As Saturday night approaches in a city on the brink of political upheaval, all their lives are set to change forever. It’s the hottest summer on record, and the weekend is about to begin.
What readers are saying...
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'The best book I've read in recent years'
'My life got just a bit richer from having read this book'
'I absolutely loved it, every word'
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Oisín McKenna grew up in Drogheda, Ireland, and lives in London. He was awarded the Next Generation Bursary from the Arts Council of Ireland to write Evenings and Weekends – the highest award for an emerging artist in Ireland – and it was developed with further funding from Arts Council England. Evenings and Weekends has been awarded a 2022 London Writers Award, which supports London’s most promising underrepresented writers. In 2017, Oisín was named in the Irish Times one of the best-spoken word artists in the country. He has written and performed four theatre shows, including ADMIN, an award-winning production at Dublin Fringe 2019, and has written for outlets including the Irish Times on issues such as gentrification and the alienation of Dublin’s youth.
